The Kanjincho (Subscription List) scene. Left to right: the  border lord, Benkei (who should be holding the blank scroll as he improvises the list of those who have promised money to restore a temple, thus legitimizing his pose as an authorized charity), and finally Yoshitsune, with the big hat that hides his face. In principle Yoshitsune should also have some cloak or poor clothing to hide his rich brocades, since he is posing as a servant.
Two more images of Benkei: on the left, a kimekomi doll with a gosho-style baby face (but not the white gosho skin), representing Benkei collecting weapons on the bridge--his first meeting with the boy Yoshitsune. He wears on his back the pack of weapons he has collected, and a twisted scarf on his head. On the right is a charming little boy dressed as Benkei in the Kanjincho scene.

This gosho-style doll (note that his clothing is minimal and his nakedness shows through) suggests the boy Yoshitsune, Ushiwakamaru, with his sword and the fan with which he clobbers Benkei when they meet on the bridge. The hairdo suggests a young boy or girl at court, so it is part of the elements contrasting with the heroic subject.
A magnificent antique ningyo presenting Yoshitsune as a general with a kneeling bannerman can be seen on the J.A.D.E.
site; it was part of a 2001 Metropolitan Museum exhibition of dolls from the collection of Michael Ayervais.